Saturday, October 26, 2024

97th Annual Juried Members' Exhibit
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

The exhibit features the work of Carol Boyer, 2024 Best of Show winner for her fiber art piece "Sea Floor", in addition to that of Award of Merit and Honorable Mention winners and other Associated members.

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Arts & Minds: A Showcase for Creative Aging
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Arts & Minds: A Showcase for Creative Aging" celebrates the human potential for creativity at all ages!

Do you believe older adults are beyond creative self-expression? In fact, our elders are often unbound from the rules that can limit creativity earlier in life. Visit the Arts & Minds Showcase of works by older adults, with and without dementia, in various media: painting, mixed media, collage, poetry, and more — and revitalize your attitude to aging. A short video is offered depicting the benefits to opening the spirit to aesthetic and meaningful self-expression in later life, and tells stories of how elder artists achieve purpose, meaning and self-validation as they are freed to develop artistic skills and capacity.

Presented by Syracuse Jewish Family Services.

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Lynne Sachs: This Side of Salina
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Four Black women from the gritty and tenacious city of Syracuse reflect on sexuality, youthful regret, emotional vulnerability, raising a daughter, and working in reproductive health services. In a series of their own choreographed vignettes, each woman thoughtfully engages with the neighborhoods she's known all of her life. Two performers flip through classic 1960s titles by Black authors in a bookstore. Others sit in a hat store finding time to pour into each other, as mentors and confidantes. These are businesses that are owned by local Black women, and they know it. In Brady Market, a community grocery, they playfully shop and chat with ease and confidence. They dance to their own rhythms in the outdoor plaza of the Everson Museum of Art. Together they look down at the city from its highest point and ponder how to battle the inequities of the place that they call home. (12 minutes)

Screening begins at dusk.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Miller & The Other Sinners
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Miller and The Other Sinners is: David Michael Miller ("Miller") on vocals & guitars, Steve Davis on keys, organ, key bass, and vocals, Isaiah Griffin on drums & percussion, Dalton Sharp on saxophone, and for the last 2 years, Paul Gaspar on trumpet. These five together tracked this latest effort, a full-length album, recorded in a studio that Miller built in his mid-1800's farm house during the COVID shutdown. "Thieves In The Breadline," is an amazing step in defining this band's last 4+ years of work together, finding their sound and capturing their live chemistry. Inspired by the Marcus King record produced by Warren Haynes, both strong influences on Miller, Thieves sets to capture that fat warm sound reminiscent of iconic recordings, yet with a modern presence and push. Miller engineered, arranged, produced, mixed, and mastered this project as a labor of love and passion, yet had to hit the high water mark of his first solo album in 2014, "Poisons Sipped."

Bob Cannistraro & Friends
Steeple Coffee House

Price: $15-$20 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Pops Series: Literary Thrillers
Syracuse Orchestra (formerly Symphoria)

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

The first pops concert of the season welcomes you with music inspired by some of our favorite books. Readers of all ages will love the mysterious and magical music inspired by Harry Potter, Twilight, Lord of the Rings, and more. Dress up in your house colors for this delightfully spooky concert.

Les Misérables
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Cameron Mackintosh presents the acclaimed production of Alain Boublil and Claude-Michel Schönberg's Tony Award-winning musical phenomenon, Les Misérables.

This brilliant staging has taken the world by storm and has been hailed as "Les Mis for the 21st Century" (Huffington Post), "a reborn dream of a production" (Daily Telegraph) and "one of the greatest musicals ever created" (Chicago Tribune). Set against the backdrop of 19th-century France, Les Misérables tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption – a timeless testament to the survival of the human spirit. This epic and uplifting story has become one of the most celebrated musicals in theatrical history.

The magnificent score of Les Misérables includes the songs "I Dreamed a Dream," "On My Own," "Bring Him Home," "One Day More," "Master of the House," and many more. Seen by over 130 million people worldwide in 53 countries, 438 cities and 22 languages, Les Misérables is indisputably one of the world's most popular musicals.

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Gloria
Central New York Playhouse
Andie Sagatis, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

This funny, trenchant, and powerful play, by Branden Jacobs-Jenkins, follows an ambitious group of editorial assistants at a notorious Manhattan magazine, each of whom hopes for a starry life of letters and a book deal before they turn 30. But when an ordinary humdrum workday becomes anything but, the stakes for who will get to tell their own story become higher than ever.

Pippin
Baldwinsville Theatre Guild
Kate Lemos Brown, director

First Presbyterian Church of Baldwinsville
64 Oswego St., Baldwinsville

Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. He seeks it in the glories of the battlefield, the temptations of the flesh and the intrigues of political power (after disposing of his father, King Charlemagne the Great). In the end, though, Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day.

Directed and choreographed by Kate Lemos Brown, with Lynnette Brown as Music Director and Derek Sager as Vocal Director.

Les Misérables
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Cameron Mackintosh presents the acclaimed production of Alain Boublil and Claude-Michel Schönberg's Tony Award-winning musical phenomenon, Les Misérables.

This brilliant staging has taken the world by storm and has been hailed as "Les Mis for the 21st Century" (Huffington Post), "a reborn dream of a production" (Daily Telegraph) and "one of the greatest musicals ever created" (Chicago Tribune). Set against the backdrop of 19th-century France, Les Misérables tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption – a timeless testament to the survival of the human spirit. This epic and uplifting story has become one of the most celebrated musicals in theatrical history.

The magnificent score of Les Misérables includes the songs "I Dreamed a Dream," "On My Own," "Bring Him Home," "One Day More," "Master of the House," and many more. Seen by over 130 million people worldwide in 53 countries, 438 cities and 22 languages, Les Misérables is indisputably one of the world's most popular musicals.

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Evil Dead the Musical
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Five college students go to an abandoned cabin in the woods and accidentally unleash an evil force that turns them all into demons. The classic cult films come to life on stage in one of the craziest, funniest and bloodiest theatrical experiences of all time.

Warning: For mature audiences. While extremely hilarious, this show contains blood, adult language and sexual themes. It may not be appropriate for children under 14.

Splash Zone: Rows A,B,C seats 5-13 are the Splash Zone. We will be asking audience members if they want to move up front and where the action is. Ponchos provided.

Sunday, October 27, 2024

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Arts & Minds: A Showcase for Creative Aging
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Arts & Minds: A Showcase for Creative Aging" celebrates the human potential for creativity at all ages!

Do you believe older adults are beyond creative self-expression? In fact, our elders are often unbound from the rules that can limit creativity earlier in life. Visit the Arts & Minds Showcase of works by older adults, with and without dementia, in various media: painting, mixed media, collage, poetry, and more — and revitalize your attitude to aging. A short video is offered depicting the benefits to opening the spirit to aesthetic and meaningful self-expression in later life, and tells stories of how elder artists achieve purpose, meaning and self-validation as they are freed to develop artistic skills and capacity.

Presented by Syracuse Jewish Family Services.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Les Misérables
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Cameron Mackintosh presents the acclaimed production of Alain Boublil and Claude-Michel Schönberg's Tony Award-winning musical phenomenon, Les Misérables.

This brilliant staging has taken the world by storm and has been hailed as "Les Mis for the 21st Century" (Huffington Post), "a reborn dream of a production" (Daily Telegraph) and "one of the greatest musicals ever created" (Chicago Tribune). Set against the backdrop of 19th-century France, Les Misérables tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption – a timeless testament to the survival of the human spirit. This epic and uplifting story has become one of the most celebrated musicals in theatrical history.

The magnificent score of Les Misérables includes the songs "I Dreamed a Dream," "On My Own," "Bring Him Home," "One Day More," "Master of the House," and many more. Seen by over 130 million people worldwide in 53 countries, 438 cities and 22 languages, Les Misérables is indisputably one of the world's most popular musicals.

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Pippin
Baldwinsville Theatre Guild
Kate Lemos Brown, director

First Presbyterian Church of Baldwinsville
64 Oswego St., Baldwinsville

Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. He seeks it in the glories of the battlefield, the temptations of the flesh and the intrigues of political power (after disposing of his father, King Charlemagne the Great). In the end, though, Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day.

Directed and choreographed by Kate Lemos Brown, with Lynnette Brown as Music Director and Derek Sager as Vocal Director.

Les Misérables
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Cameron Mackintosh presents the acclaimed production of Alain Boublil and Claude-Michel Schönberg's Tony Award-winning musical phenomenon, Les Misérables.

This brilliant staging has taken the world by storm and has been hailed as "Les Mis for the 21st Century" (Huffington Post), "a reborn dream of a production" (Daily Telegraph) and "one of the greatest musicals ever created" (Chicago Tribune). Set against the backdrop of 19th-century France, Les Misérables tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption – a timeless testament to the survival of the human spirit. This epic and uplifting story has become one of the most celebrated musicals in theatrical history.

The magnificent score of Les Misérables includes the songs "I Dreamed a Dream," "On My Own," "Bring Him Home," "One Day More," "Master of the House," and many more. Seen by over 130 million people worldwide in 53 countries, 438 cities and 22 languages, Les Misérables is indisputably one of the world's most popular musicals.

Monday, October 28, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Libro de Artista
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Point of Contact (POC), in partnership with the Museo Nacional de Bellas Artes de Argentina (MNBA), and the Museum Studies Program at Syracuse University, presents the exhibit Libro de Artista, a showcase of the National Museum's Artist Book Collection, for its first showing in the United States.

Artist books occupy an important place in a creator's life. They are notebooks, sketches, projects, and ideas that, at times, serve as the seed for future art pieces, and can also transfigure into true works of art themselves.

The Libro de Artista exhibit comprises more than 60 works from different periods by artists in their explorations around painting, sculpture, printmaking, photography, and drawing. Using different techniques, formats, and materials, artist books take many forms on paper, cardboard, celluloid, acrylic, metal, and other materials, transforming into boxes, intervened prints, collages, and pop-up books.

Star-Filled Halloween Double Feature
Syracuse Cinephile Society

Price: $4 non-members, $3.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Supernatural (1933)
Cast: Carole Lombard, Randolph Scott, Vivienne Osborne, H.B. Warner, Alan Dinehart, Beryl Mercer, William Farnum
Director: Victor Halperin

Lombard's only horror film is this chilling tale where she "inherits" the evil and deranged soul of an executed murderess. There's plenty of atmospheric tension in this one!

The Old Dark House (1932)
Cast: Boris Karloff, Melvyn Douglas, Charles Laughton, Gloria Stuart, Raymond Massey, Lillian Bond, Ernest Thesiger
Director: James Whale

A top-notch cast headlines Universal's classic gathering of a group of strange characters thrown together in a mysterious country home during a heavy rainstorm. Our screening will be a recent restoration that brings new life to this old favorite.

Charlie King and Rick Burkhardt with Colleen Kattau in Concert
ArtRage Gallery

Price: $15 in advance, $20 at the door, $10 low income
ArtRage Gallery
505 Hawley Ave., Syracuse

Join us for an evening of incendiary lyrics, edgy harmonies, powerful, instrumentation, and theatrical hijinks!

Charlie King is a musical storyteller, hailed by Pete Seeger as "one of the finest singers and songwriters of our time". Rick Burkhardt is an Obie-award-winning composer, playwright, and performer who toured nationally with the satirical political cabaret duo, the Prince Myshkins. His songs have been featured on Democracy Now! and NPR's Morning Edition. Colleen Kattau is a local favorite songbird with a brand new 2024 album called "This Hen's Gonna Crow"!

Tuesday, October 29, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Libro de Artista
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Point of Contact (POC), in partnership with the Museo Nacional de Bellas Artes de Argentina (MNBA), and the Museum Studies Program at Syracuse University, presents the exhibit Libro de Artista, a showcase of the National Museum's Artist Book Collection, for its first showing in the United States.

Artist books occupy an important place in a creator's life. They are notebooks, sketches, projects, and ideas that, at times, serve as the seed for future art pieces, and can also transfigure into true works of art themselves.

The Libro de Artista exhibit comprises more than 60 works from different periods by artists in their explorations around painting, sculpture, printmaking, photography, and drawing. Using different techniques, formats, and materials, artist books take many forms on paper, cardboard, celluloid, acrylic, metal, and other materials, transforming into boxes, intervened prints, collages, and pop-up books.

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Wednesday, October 30, 2024

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Libro de Artista
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Point of Contact (POC), in partnership with the Museo Nacional de Bellas Artes de Argentina (MNBA), and the Museum Studies Program at Syracuse University, presents the exhibit Libro de Artista, a showcase of the National Museum's Artist Book Collection, for its first showing in the United States.

Artist books occupy an important place in a creator's life. They are notebooks, sketches, projects, and ideas that, at times, serve as the seed for future art pieces, and can also transfigure into true works of art themselves.

The Libro de Artista exhibit comprises more than 60 works from different periods by artists in their explorations around painting, sculpture, printmaking, photography, and drawing. Using different techniques, formats, and materials, artist books take many forms on paper, cardboard, celluloid, acrylic, metal, and other materials, transforming into boxes, intervened prints, collages, and pop-up books.

A Live Conversation with Helen Hunt Following a Screening of Twister
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Get ready for a whirlwind experience! Join us for a special screening of the iconic film Twister, followed by an exclusive live interview and audience Q&A with Academy Award-winning actress Helen Hunt.

Witness the storm-chasing adventure on the big screen once more and delve into the making of this thrilling blockbuster. Hear behind-the-scenes stories, insights, and personal anecdotes directly from Helen Hunt herself.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Snaps & Taps Open Mic Night
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Join us for an awesome evening of creativity and talent at the Community Folk Art Center. Get ready to be blown away by the incredible performances at this in-person event. Whether you're a poet, musician, or just love to appreciate raw talent, this open mic is the place to be.

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Thursday, October 31, 2024

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Libro de Artista
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Point of Contact (POC), in partnership with the Museo Nacional de Bellas Artes de Argentina (MNBA), and the Museum Studies Program at Syracuse University, presents the exhibit Libro de Artista, a showcase of the National Museum's Artist Book Collection, for its first showing in the United States.

Artist books occupy an important place in a creator's life. They are notebooks, sketches, projects, and ideas that, at times, serve as the seed for future art pieces, and can also transfigure into true works of art themselves.

The Libro de Artista exhibit comprises more than 60 works from different periods by artists in their explorations around painting, sculpture, printmaking, photography, and drawing. Using different techniques, formats, and materials, artist books take many forms on paper, cardboard, celluloid, acrylic, metal, and other materials, transforming into boxes, intervened prints, collages, and pop-up books.

Lynne Sachs: This Side of Salina
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Four Black women from the gritty and tenacious city of Syracuse reflect on sexuality, youthful regret, emotional vulnerability, raising a daughter, and working in reproductive health services. In a series of their own choreographed vignettes, each woman thoughtfully engages with the neighborhoods she's known all of her life. Two performers flip through classic 1960s titles by Black authors in a bookstore. Others sit in a hat store finding time to pour into each other, as mentors and confidantes. These are businesses that are owned by local Black women, and they know it. In Brady Market, a community grocery, they playfully shop and chat with ease and confidence. They dance to their own rhythms in the outdoor plaza of the Everson Museum of Art. Together they look down at the city from its highest point and ponder how to battle the inequities of the place that they call home. (12 minutes)

Screening begins at dusk.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Evil Dead the Musical
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Five college students go to an abandoned cabin in the woods and accidentally unleash an evil force that turns them all into demons. The classic cult films come to life on stage in one of the craziest, funniest and bloodiest theatrical experiences of all time.

Warning: For mature audiences. While extremely hilarious, this show contains blood, adult language and sexual themes. It may not be appropriate for children under 14.

Splash Zone: Rows A,B,C seats 5-13 are the Splash Zone. We will be asking audience members if they want to move up front and where the action is. Ponchos provided.

Friday, November 1, 2024

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Libro de Artista
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Point of Contact (POC), in partnership with the Museo Nacional de Bellas Artes de Argentina (MNBA), and the Museum Studies Program at Syracuse University, presents the exhibit Libro de Artista, a showcase of the National Museum's Artist Book Collection, for its first showing in the United States.

Artist books occupy an important place in a creator's life. They are notebooks, sketches, projects, and ideas that, at times, serve as the seed for future art pieces, and can also transfigure into true works of art themselves.

The Libro de Artista exhibit comprises more than 60 works from different periods by artists in their explorations around painting, sculpture, printmaking, photography, and drawing. Using different techniques, formats, and materials, artist books take many forms on paper, cardboard, celluloid, acrylic, metal, and other materials, transforming into boxes, intervened prints, collages, and pop-up books.

Lynne Sachs: This Side of Salina
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Four Black women from the gritty and tenacious city of Syracuse reflect on sexuality, youthful regret, emotional vulnerability, raising a daughter, and working in reproductive health services. In a series of their own choreographed vignettes, each woman thoughtfully engages with the neighborhoods she's known all of her life. Two performers flip through classic 1960s titles by Black authors in a bookstore. Others sit in a hat store finding time to pour into each other, as mentors and confidantes. These are businesses that are owned by local Black women, and they know it. In Brady Market, a community grocery, they playfully shop and chat with ease and confidence. They dance to their own rhythms in the outdoor plaza of the Everson Museum of Art. Together they look down at the city from its highest point and ponder how to battle the inequities of the place that they call home. (12 minutes)

Screening begins at dusk.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Tony International Live Jazz Under Spoken Word
Community Folk Art Center

Price: $20
CFAC Black Box Theater
805 E. Genesee St., Syracuse

Get ready to groove to the sounds of Tony International Live Jazz! Join us for a night of musical performances and spoken word with house band SMX Shawn Seals.

Chris Trapper
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

With his soulful, honeyed tenor, sly humor, and uncanny knack for melody, Chris has traveled the world over, performing to a dedicated and ever-growing fan base with nothing but his guitar and his songs.

Raised on Prine and Kristofferson, Trapper's first foray in the music industry was as frontman of the critically acclaimed alt-rock band The Push Stars (Capitol Records). As a solo artist for more than a decade, Chris has become a modern-day acoustic troubadour, performing over 150 dates a year as a headliner and sharing the stage with the likes of Colin Hay, Martin Sexton, and even John Prine himself.

Acoustic Guitar Project 10th Anniversary
Folkus Project

Price: $18 regular, $15 Folkus members
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

The Acoustic Guitar Project is a global music platform and concert series that inspires musicians to write and record a song in one week on the same guitar.

The project originated in New York City and has spread around the world. Projects are underway in more than 50 cities from Amsterdam to Asheville, Havana to Hanoi, Minneapolis to Moscow, and São Paulo to...Syracuse.

The Syracuse project, curated by Jeffrey Pepper Rodgers, is one of the longest-running projects in the world, celebrating its 10th anniversary this year. To date, 55 songs have been written on the Syracuse guitar, donated by Maryland's Minor Bird Instruments. This fall, five more Central New York artists will join the tradition.

Featuring Joey Arcuri and more songwriters to be announced as they complete their songs.

Face 2 Face: A Tribute Concert to Elton John & Billy Joel
Palace Theatre

Palace Theater
2384 James St., Syracuse

Join us for an incredible night of music as we pay homage to two legendary rock icons! The Face2Face Elton John & Billy Joel Tribute event will create the perfect atmosphere for an unforgettable experience.

Get ready to sing along to all your favorite hits from these two incredible artists. From Elton John's soulful ballads to Billy Joel's catchy tunes, this tribute will have you dancing in your seat all night long.

Don't miss out on this unique opportunity to witness the magic of Elton John and Billy Joel's music come to life. Grab your friends and get ready for a night filled with nostalgia, laughter, and incredible music!

Pippin
Baldwinsville Theatre Guild
Kate Lemos Brown, director

First Presbyterian Church of Baldwinsville
64 Oswego St., Baldwinsville

Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. He seeks it in the glories of the battlefield, the temptations of the flesh and the intrigues of political power (after disposing of his father, King Charlemagne the Great). In the end, though, Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day.

Directed and choreographed by Kate Lemos Brown, with Lynnette Brown as Music Director and Derek Sager as Vocal Director.

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Evil Dead the Musical
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Five college students go to an abandoned cabin in the woods and accidentally unleash an evil force that turns them all into demons. The classic cult films come to life on stage in one of the craziest, funniest and bloodiest theatrical experiences of all time.

Warning: For mature audiences. While extremely hilarious, this show contains blood, adult language and sexual themes. It may not be appropriate for children under 14.

Splash Zone: Rows A,B,C seats 5-13 are the Splash Zone. We will be asking audience members if they want to move up front and where the action is. Ponchos provided.

Saturday, November 2, 2024

Texture/Form/Surface
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

David (Hongo) Robertson: textural acrylic paintings from various series
Lauren Bristol: sculptural coiled basketry
Dana Stenson: metalsmith jewelry

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Lynne Sachs: This Side of Salina
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Four Black women from the gritty and tenacious city of Syracuse reflect on sexuality, youthful regret, emotional vulnerability, raising a daughter, and working in reproductive health services. In a series of their own choreographed vignettes, each woman thoughtfully engages with the neighborhoods she's known all of her life. Two performers flip through classic 1960s titles by Black authors in a bookstore. Others sit in a hat store finding time to pour into each other, as mentors and confidantes. These are businesses that are owned by local Black women, and they know it. In Brady Market, a community grocery, they playfully shop and chat with ease and confidence. They dance to their own rhythms in the outdoor plaza of the Everson Museum of Art. Together they look down at the city from its highest point and ponder how to battle the inequities of the place that they call home. (12 minutes)

Screening begins at dusk.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

The People United Will Never Be Defeated
Civic Morning Musicals
Featuring Vadim Serebryany, piano

Price: $10
St. David's Episcopal Church
13 Jamar Dr., Dewitt

Rzewski The People United Will Never Be Defeated, (1975)
This work is a set of 36 variations on the Chilean protest song of the same title.

Colin and Max
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Max Eyle and Colin Aberdeen draw on the great wealth of early American roots music, with a blend of material that ranges from country blues and jazz to R&B and soul.

Colin Aberdeen is a multiple SAMMY award-winning artist who has toured nationally and recorded with Grammy award-winning musicians. The two have been entertaining audiences for years, drawing on their experience and friendship to create warm and engaging performances.

Quartetto di Cremona
Syracuse Friends of Chamber Music

Price: $30 regular, $25 seniors
Grant Middle School
2400 Grant Blvd., Syracuse

Ravel String Quartet in F Major
Bartók String Quartet no. 4
Schumann String Quartet op. 41, no. 1

Spark Series: Music by Candlelight
Syracuse Orchestra (formerly Symphoria)
Lawrence Loh, conductor

Underground Lounge (under the carousel, across from Burlington)
Destiny USA, Syracuse

Join The Syracuse Orchestra in an intimate setting as we serenade you with your favorite symphonic music. Thousands of candles and culinary treats will make this a musical feast for all of the senses.

Pinkalicious the Musical
The Oncenter

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

The 18th Anniversary Tour of Vital Theatre Company's long-running hit Pinkalicious the Musical!

The one-hour musical, with book and lyrics by Elizabeth Kann and Victoria Kann and music, lyrics and orchestrations by John Gregor, is based on the best-selling children's book Pinkalicious by Elizabeth Kann and Victoria Kann. The musical adaptation is directed by Teresa K. Pond based on the original direction of Suzu McConnell-Wood.

In Pinkalicious the Musical, Pinkalicious can't stop eating pink cupcakes despite warnings from her parents. Her pink indulgence lands her at the doctor's office with Pinkititis, an affliction that turns her pink from head to toe — a dream come true for this pink loving enthusiast. But when her hue goes too far, only Pinkalicious can figure out a way to get out of this predicament.

The musical is appropriate for children ages 2 to 7.

Evil Dead the Musical
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Five college students go to an abandoned cabin in the woods and accidentally unleash an evil force that turns them all into demons. The classic cult films come to life on stage in one of the craziest, funniest and bloodiest theatrical experiences of all time.

Warning: For mature audiences. While extremely hilarious, this show contains blood, adult language and sexual themes. It may not be appropriate for children under 14.

Splash Zone: Rows A,B,C seats 5-13 are the Splash Zone. We will be asking audience members if they want to move up front and where the action is. Ponchos provided.

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Pinkalicious the Musical
The Oncenter

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

The 18th Anniversary Tour of Vital Theatre Company's long-running hit Pinkalicious the Musical!

The one-hour musical, with book and lyrics by Elizabeth Kann and Victoria Kann and music, lyrics and orchestrations by John Gregor, is based on the best-selling children's book Pinkalicious by Elizabeth Kann and Victoria Kann. The musical adaptation is directed by Teresa K. Pond based on the original direction of Suzu McConnell-Wood.

In Pinkalicious the Musical, Pinkalicious can't stop eating pink cupcakes despite warnings from her parents. Her pink indulgence lands her at the doctor's office with Pinkititis, an affliction that turns her pink from head to toe — a dream come true for this pink loving enthusiast. But when her hue goes too far, only Pinkalicious can figure out a way to get out of this predicament.

The musical is appropriate for children ages 2 to 7.

Pippin
Baldwinsville Theatre Guild
Kate Lemos Brown, director

First Presbyterian Church of Baldwinsville
64 Oswego St., Baldwinsville

Heir to the Frankish throne, the young prince Pippin is in search of the secret to true happiness and fulfillment. He seeks it in the glories of the battlefield, the temptations of the flesh and the intrigues of political power (after disposing of his father, King Charlemagne the Great). In the end, though, Pippin finds that happiness lies not in extraordinary endeavors, but rather in the unextraordinary moments that happen every day.

Directed and choreographed by Kate Lemos Brown, with Lynnette Brown as Music Director and Derek Sager as Vocal Director.

Dial M for Murder
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Margot and Tony live a seemingly charmed married life in 1950s London. But not all is as it appears: Margot, desperate to return to her idyllic domesticity, has ended a lengthy affair with a dashing American lover even as she's being blackmailed by someone threatening to expose her indiscretion to her husband. But Tony already knows, and has a plot of twisted revenge on his mind. Adapted from Frederick Knott's original made famous by Alfred Hitchcock's film, Jeffrey Hatcher's taut adaptation keeps the twists coming until the very end.

Evil Dead the Musical
LeMoyne College

Price: $20 regular, $15 seniors, $10 LeMoyne faculty and staff, $5 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Five college students go to an abandoned cabin in the woods and accidentally unleash an evil force that turns them all into demons. The classic cult films come to life on stage in one of the craziest, funniest and bloodiest theatrical experiences of all time.

Warning: For mature audiences. While extremely hilarious, this show contains blood, adult language and sexual themes. It may not be appropriate for children under 14.

Splash Zone: Rows A,B,C seats 5-13 are the Splash Zone. We will be asking audience members if they want to move up front and where the action is. Ponchos provided.