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Syracuse University 316 Waverly Ave. Syracuse, NY 13244 Phone: 315-443-1300 info@lightwork.org Website: www.lightwork.org
Hours: Sunday-Friday, 10am-6pm
Light Work Gallery Coming Events
Nicholas Muellner: Asea
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Wednesday, November 6, 2024, 10:00 AM - 9:00 PM
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Thursday, November 7, 2024, 10:00 AM - 9:00 PM
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Friday, November 8, 2024, 10:00 AM - 5:00 PM
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Saturday, November 9, 2024, 11:00 AM - 6:00 PM
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Sunday, November 10, 2024, 11:00 AM - 6:00 PM
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Monday, November 11, 2024, 10:00 AM - 9:00 PM
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Tuesday, November 12, 2024, 10:00 AM - 9:00 PM
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Wednesday, November 13, 2024, 10:00 AM - 9:00 PM
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Thursday, November 14, 2024, 10:00 AM - 9:00 PM
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Friday, November 15, 2024, 10:00 AM - 5:00 PM
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Saturday, November 16, 2024, 11:00 AM - 6:00 PM
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Sunday, November 17, 2024, 11:00 AM - 6:00 PM
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Monday, November 18, 2024, 10:00 AM - 9:00 PM
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Tuesday, November 19, 2024, 10:00 AM - 9:00 PM
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Wednesday, November 20, 2024, 10:00 AM - 9:00 PM
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Thursday, November 21, 2024, 10:00 AM - 9:00 PM
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Friday, November 22, 2024, 10:00 AM - 5:00 PM
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Saturday, November 23, 2024, 11:00 AM - 6:00 PM
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Sunday, November 24, 2024, 11:00 AM - 6:00 PM
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Monday, November 25, 2024, 10:00 AM - 9:00 PM
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Tuesday, November 26, 2024, 10:00 AM - 9:00 PM
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Monday, December 2, 2024, 10:00 AM - 9:00 PM
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Tuesday, December 3, 2024, 10:00 AM - 9:00 PM
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Wednesday, December 4, 2024, 10:00 AM - 9:00 PM
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Thursday, December 5, 2024, 10:00 AM - 9:00 PM
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Friday, December 6, 2024, 10:00 AM - 5:00 PM
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Saturday, December 7, 2024, 11:00 AM - 6:00 PM
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Sunday, December 8, 2024, 11:00 AM - 6:00 PM
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Monday, December 9, 2024, 10:00 AM - 9:00 PM
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Tuesday, December 10, 2024, 10:00 AM - 9:00 PM
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Wednesday, December 11, 2024, 10:00 AM - 9:00 PM
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Thursday, December 12, 2024, 10:00 AM - 9:00 PM
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Friday, December 13, 2024, 10:00 AM - 5:00 PM
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Light Work Gallery 316 Waverly Ave., Syracuse University, Syracuse
Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it. With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.
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